Insights of an Eco Artist
Media Platform &
Creative Studio
Florestania
Florestania—a Brazilian Portuguese term that embodies the profound wisdom of knowing and respecting the forest as indigenous communities do—serves as the guiding spirit for this immersive virtual exhibition.
Over the course of six weeks, a collective of artists—Antonia Ablass, Dodd Holsapple, Andjelik, Denise Felber, and Isabella Morales Salis— navigated the realms of more-than-human networks, embracing the fluidity of linear time and weaving together environmental narratives. Through their individual practices and shared explorations, these artists construct a bridge between humanity and nature, resonating deeply with the essence of Florestania.
Their work invites us to reflect on the interconnectedness of all living beings and to honor the forest's ancient wisdom—reminding us of our shared responsibility to nurture and celebrate the fragile ecosystems that sustain us all.
Curated, developed and designed by Joana Alarcão.
Andjelik M.
Resonance Across Oceans (Ongoing film project).
Imagine our home—our planet, its nature, its creatures, our Earth. Imagine the Earth as a living entity. What would it say? Imagine its existence unfolding within a dimension beyond our conventional understanding —reaching out, trying to speak to us. Imagine we don’t hear. We ignore. We harm. We—never—stop. Imagine the reality.
What happens then?
Who you are An ongoing photographic exploration that blends symbolic imagery with experimental techniques to draw parallels between human essence and elements of nature. These weave a narrative of dreamlike scenarios and introspective reflections, embodying the deep interconnectedness between humanity and the natural world.
Denise Felber
2025 — Paintings on handmade paper, Drawings on graphite on handmade paper
The series of large-format paintings and drawings on laid paper is a visual exploration of the theme of organic growth and the complexity of natural structures. The works are inspired by the “mycelium”, the underground network of fungi that serves as a symbol of interconnectedness and transformation. Using ink and graphite, growing plant forms and the dynamic, flowing movements of nature are captured in abstract form.
The lines and structures speak of constant change and interaction between the elements of nature. Each work is a metaphor for the connections that exist in natural systems and the interlocking processes that involve both growth and decay.
Overall, this series invites the viewer to reflect on the invisible connections and the ceaseless unfolding of life - showing the beauty and complexity of growth, and how everything is interconnected, in the constant process of becoming and decaying.
.png)
Isabella Morales Salis
2025 — Paintings
During the residency, I developed a project exploring the emotional and psychological impacts of climate change, focusing on the connection between the human psyche and the natural world. Alongside creating three paintings, I wrote a detailed project proposal that serves as a foundation for expanding this work into an in-person exhibition. The residency allowed me to reflect on how inner landscapes mirror environmental realities, emphasizing the need for healing through both personal introspection and ecological awareness. The project draws from my own experiences, including the devastating floods in my birth state in Brazil in May 2024, a climate disaster that left a profound emotional impact.
.png)
Dodd Holsapple
2024 — Mixed Medium on Canvas.
For the residency I worked with the Ancient Bristlecone Pine Forest with themes of wisdom and time. These oldest trees in the world, bristlecone pines exceed 4000 years of age with spectacular twisted growth and meditative forms. My works capture the landscape in a collection of movement, reflection and acceptance of uncertainty.
.png)
Antonia Ablass
2025 — 3D Sculptures and Photography
These three sculptures explore the evolving relationship between human intervention and nature, moving from raw organic materials to advanced technological design. The first is the most natural, using unprocessed elements to reflect both destruction and regeneration. The second introduces traditional craftsmanship, integrating human ingenuity with natural cycles. The third, shaped through 3D printing, represents the peak of human control, yet it ultimately surrenders to nature as plants overtake its form. Together, these works trace a journey from minimal intervention to precise engineering, questioning the balance between human creation and nature’s enduring resilience